Books on Antarctica
Nimrod Illustrated
ISBN 9781873877906
One of the most exciting expeditions of the Heroic Age of Antarctic exploration comes "Nimrod Illustrated". The book is a remarkable collage of expedition photographs, paintings and ephemera in a deliberate reminiscence of the expedition scrapbooks kept by so many of the expedition participants at the time. Many of the images are rarely seen, if ever before published, whilst others are better known.Together with quotations from the diaries of expedition participants, they tell the story of the British Antarctic Expedition 1907-1909 which saw the first use of ponies and motor cars in the Antarctic; achieved the first ascent of Mount Erebus; achieved the first attainment of the South Magnetic Pole; and, took Shackleton within 100 miles of the South Geographic Pole to attain a dramatic new 'Farthest South' record. This was the expedition that made Shackleton's name as an explorer and for which he was awarded his knighthood. Edited by Dr. D. M. Wilson, "Nimrod Illustrated" is a treat for anyone interested in Shackleton, the Antarctic, polar exploration or the atmosphere of the Edwardian age.
Edward Wilson's Antarctic Notebooks
ISBN 9781874192510
Dr. Edward A. Wilson (1872-1912) is widely regarded as one of the finest artists ever to have worked in the Antarctic. Sailing with Captain Scott aboard 'Discovery' (1901-1904), he became the last in a long tradition of 'exploration artists' from an age when pencil and water-colour were the main methods of producing accurate scientific records of new lands and animal species. He combined scientific, topographical and landscape techniques to produce accurate and beautiful images of the last unknown continent. Such was the strength of his work that it also helped to found the tradition of modern wildlife painting. In particular Wilson captured the essence of the flight and motion of Southern Ocean sea-birds on paper. Returning with Captain Scott aboard 'Terra Nova' (1910-1913) as Chief of Scientific Staff, he continued to record the continent and its wildlife with extraordinary deftness. Chosen to accompany Captain Scott to the South Pole, his last drawings are from one of the most famous epic journeys in exploration history. Along with his scientific work, Wilson's pencil recorded the finding of Roald Amundsen's tent at the South Pole by Captain Scott. Wilson died, along with the other members of the British Pole Party, during the return journey, in March 1912. Many of the images in this book are rarely seen or are previously unpublished. The drawings and paintings were created at considerable personal cost in the freezing conditions in which Wilson worked. He often suffered severely from the cold whilst sketching and also from snow-blindness, or sunburn of the eye. They provide a remarkable testament to one of the great figures of the heroic age of Antarctic exploration.
Cheltenham in Antartctica,
The life of Edward Wilson
ISBN 9781873877548
Edward Adrian Wilson is perhaps the most famous native son of Cheltenham. In the early years of the 20th century, he was one of the major influences and personalities of the heroic age of Antarctic exploration and has also been recognised as one of the top ranking ornithologists and naturalists in the UK during this period. He was also one of the last great scientific expedition artists. This is the illustrated story of polar explorer Edward Wilson, from his boyhood in Cheltenham to the diaries and letters associated with his last days as a member of Scott's ill-fated Antarctic expedition. All the royalties from this book will benefit the Wilson Collection Fund at the Cheltenham Art Gallery and Museums.
With Scott Before the Mast
ISBN 9781901037555
These are the Journals of Francis Davies Leading Shipwright RN when on board Captain Scott's "Terra Nova" British Antarctic Expedition 1910 - 1913, Never seen before photos and historical artefacts, kept safe by his decadences, for over 100 years. Unique below decks prospective on Captains Scotts last Antarctic Expedition, Unabridged and never before Published. The geographic and scientific accomplishments of Captain Scott's two Antarctic expeditions changed the face of the Twentieth Century in ways that are still not widely appreciated over a hundred years later. The fact of accomplishment has tended to be lost in speculative argument as to how Scott should have done this instead of that, supposedly to achieve the extra few yards per day to save the lives of the South Pole Party in 1912. Also lost to a generation overwhelmed with information, however, is the sublime sense of adventure into the unknown, which Scott's expeditions represented to his generation. We have forgotten what it is to take the awesome life-gambling risk of sailing beyond the edge of the map into nothingness and rendering it known. We send robot explorers instead. As a result, after two millennia of maritime and exploration history, we have become detached from the sea which surrounds our island and the tradition of exploration which it represents. With Scott: Before the Mast is a unique account that serves as an antidote to this disconectedness. It is no fictional 'Hornblower', although it may seem so at times. This is a true story. It presents one man's account of his part in a great act of derring-do, the assault on the South Pole in 1912. Most records of Captain Scott's British Antarctic Expedition aboard Terra Nova (1910-1913) are the accounts of officers. With Scott: Before the Mast is the story of Francis Davies, Shipwright, R.N., and Carpenter. The title says it all but may be lost on landlubbers. Before the mast means 'to serve as an ordinary seaman in a sailing ship'. This makes it a rare and hugely important account, presenting a viewpoint from the lower ranks. Such insight is rarely available and the long overdue publication of this account is greatly to be welcomed.
Discovery Illustrated
ISBN 9781873877487
The Antarctic Journals of Reginald Skelton
ISBN 9781873877685
Reginald Skelton Was Chief Engineer, And Offical Photographer To Captain Scott's Discovery Expedition; My memories of my grandfather are of an old, but still fit and upright, man who had a deep gravelly voice and chuckled a lot. I was only ten when he died in 1956 and he never, as far as I can remember, told me anything about his time in the Antarctic. Forty two years after his death we had, in a sense, changed places and I was getting the full story. By then into my fifties, seated in the library at the Scott Polar Research Institute (SPRI) in Cambridge, I began reading the Antarctic journals of Reginald Skelton, not yet out of his twenties, who had been chosen as Scott's chief engineer on the Discovery Expedition. Directly outside the window in front of my desk was the building site which was to become the bright, airy Shackleton Memorial Library. The archivist, Bob Headland, apologised for the terrible noise of the construction work, which he feared would frustrate any attempt to concentrate, but all I could hear was the sound of the Discovery's bows scrunching through the pack ice and the howl of the Antarctic wind as the ship fought to hold her own in the teeth of storm force Southerly squalls off Coulman Island. Since then I have been back to Cambridge to read the seven volumes of Reginald Skelton's Discovery Journals, and his sledging diaries, more times than I can keep track of but every time something new catches my attention. There is a freshness in this account, written by a young man describing events even as they take place, as he experiences them without knowing what is to follow, which is lost in any retrospective telling of the tale. Through the publication of this book I hope many other people, who would not otherwise have the opportunity to read the original journals, will be able to share the pleasure of vicarious participation in the Expedition. There is another purpose in bringing this book to the public. Skelton, whose name is by no means universally known, was, nevertheless, an important member of the Expedition and many books about Discovery include quotations from his journals. Since becoming familiar with the journals, I have found out that not all these passages are faithfully reproduced. I am aware of at least two supposedly scholarly books which contain misquotations from Skelton's journals. Whereas innocent mistakes can be made in interpreting hand-written documents, the distortion in some instances is of an order which suggests deliberate misrepresentation. The present book gives all serious students of the history of Antarctic exploration access to the full authentic text.
Dog Days On Ice
ISBN 9781873877890
"Dog Days on ICE Antarctic Exploration in a Golden Age" is written by Peter Noblei. It surveyed the grey hair and balding heads, the lined faces, the stooped or halting walk of some, and the old protest song that came to mind: 'Where have all the young men gone?' It was October 2006 and the British Antarctic Survey Club was celebrating fifty years of 'Halley', the remote research base on the Antarctic continent. Along with four hundred other ex-Halley residents, I went along to the two day bun fight and chin wag noting the somewhat more luxurious accommodation than we had ever experienced 'down south'. It was a wonderful gathering, meeting near forgotten friends, updating about what's happening in the twenty first century (that made us 1960s boys feel old!), but above all the inevitable reminiscences. As I listened and related my own stories, and particularly as I surveyed those ageing friends, I realized that in all too few years, an exciting and fascinating period of British exploration was to be forgotten. True, there is an extensive archive at the British Antarctic Survey offices in Cambridge, but virtually all of this consists of formal reports; little is recorded about day to day living at Halley, of the now extinct experience of working with dogs, of camping on long expeditions, of the cold, of how it all affected the men who lived there. My own time and work at Halley built on the efforts and dedication of those who established and maintained the base in the years before our cohort arrived; and particularly on those who undertook the many early field trips. I was destined and privileged to work with the huskies, those lovely animals that featured prominently in explorations at Halley for scarcely a decade. From the humble beginnings of 'Stumpy', the base pet in 1958, an importing and breeding programme was started in 1962 that produced a peak of 69 animals (adults and pups) in 1968 but by 1972 huskies had been internationally declared an 'alien species' and should be discontinued. I leave it to the reader to imagine what discontinued meant. A couple of dogs, demoted once more to base pet status, managed to survive the decade but the great days of dog travel were over. That other alien species 'man' with his increasingly polluting tractors and aircraft was however deemed essential, but one is left whimsically wondering how many billion husky farts equals one minute of a jet engine exhaust! The use of Dogs in Antarctica were I believe the golden age of exploratory expeditions undertaken by the British Antarctic Survey and this book presents a personal account of an amazing, exciting and life changing experience.
Songs of the Morning
These songs and poems were composed during the Relief Voyage of the British National Antarctic Expedition of 1901-1904. The music was composed by Lieut. G.S. Doorly and the lyrics by Chief Engineer Morrison and other officers, including Ernest Shackleton. The CD is a result of collaboration by New Zealand musicians and actors to mark the centenary of the voyage of the "Morning" to relieve Captain Scott and company aboard the "Discovery" in 1902. The royalties for this publication are being divided between the Dundee Heritage Trust's Antartic 100 "Discovery" Restoration Fund for work on the restoration of "Discovery", and the New Zealand Antarctic Heritage Trust for preservation work on the expedition's hut and its contents.
Edward Wilson is remembered as the artist of the British Antarctic Expedition of 1910-1912, led by Captain Robert Falcon Scott. The "Terra Nova" sailed via Madeira, South Trinidad, South Africa and Australia, to New Zealand; from where she set sail for the Antarctic on 24 January 1911. During the expedition Wilson studied and drew biological specimens, and made finished watercolours. The expedition reached the South Pole on 17 January 1912 after a journey of nearly a year. On the return journey the expedition hit unseasonably bad weather and Wilson died along with team members Scott and Bowers on 29 March.
The specimens, diaries and sketchbooks were recovered by the search party the following Spring. It is probable that Edward Wilson's place in the history of art is as the last major painter of exploration art, an art form largely created by the fusion of science, cartography and art by William Hodges who had accompanied Captain Cook's second expedition from 1772-75. Hodges' work had been admired by Turner who was in turn admired by Wilson.
With the death of Wilson, the major media for recording feats of exploration passed primarily to photography and film and the aesthetic technique and vision was subsumed. Edward Wilson drew all his life, collecting his drawings into indexed volumes he called his "stock in trade". He used them as the basis for his illustrations of Barrett-Hamilton's "A History of British Mammals", and started to use them for illustrating W. Eagle Clarke's "A History of British Birds", a cancelled publication. After his death, his wife, Oriana, arranged the notebooks and distributed many of them amongst the family. Two books - the "Nature Notebooks" were given to his nephew, Michael Wilson, whose sons have edited this volume. It contains the bulk of Edward Wilson's non-Antarctic work - from the Notebooks and other sources - reproduced here in chronological order, showing his development as an artist. There is also a selection of quotations from the Notebooks' observations and annotations, in keeping with the scrapbook flavour of many of the pages. Additionally, there is a short biography at the start of each chapter, concentrating on his scientific and artistic progress, and a selection of the Antarctic work so the reader can see the continuous artistic and scientific development.
Special Leather Bound,
Hand Finished,
Limited Editions
With Scott Before the Mast
Special Edition
isbn: 9781901037692
Nimrod Illustrated Special Edition
isbn: 9781873877913
The Antarctic Journals of Reginald Skelton
Special Edition
isbn 9781873877692
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